Dario Marianelli, composer of the Golden Globe-winning and Oscar and Bafta-nominated score for Atonement has been revealing the thinking behind the acclaimed score, and how Sibelius 5 helped his creative process. The composer has also used Sibelius to repurpose the score for a live performance-taking place at London’s Wigmore Hall in March.

The Italian-born and London-based composer used Sibelius 5 to help craft the score that includes many out-of-the-ordinary flourishes, such as typewriter keys beating time to the music to signify the obsessive writing of one of the central characters, Briony.

On the thought press behind the score he says: “From a really early conversation with Joe [Wright, the Oscar-winning director who also worked with Dario on 2005’s Pride and Prejudice], I knew that Atonement needed two distinct musical themes. There’s the relentlessness of Briony – we called her the girl with faulty brakes, she just can’t stop until she’s wrecked everyone’s lives! Then there’s the intense love story between Keira Knightley’s character, Cecilia, and Robbie” (played by James McAvoy).

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